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PROYECTOR EPSON POWERLITE E20, 3400 LÚMENES, 1024×768, XGA
PROYECTOR EPSON POWERLITE X49, 3600 LÚMENES, 1024×768, XGA, PARLANTE MONOAURAL: 5W x 1
PROYECTOR POWERLITE W52+ WXGA 3LCD, INALAMBRICO HDMI x1, VGA x1, PARLANTE MONOAURAL: 2W x1
RACK TEROS TE-7112 PARA TELEVISOR RETRACTIL 35″ a 75″
Mejora tu experiencia de visualización con el Rack para TV Retráctil TEROS TE-7112. Compatible con televisores de 32″ a 75″, soporta hasta 36 kg y cuenta con soporte VESA 60 x 40 x 38.7 cm. Ofrece rotación de +3°/-3°, inclinación de +3°/-5° y giro de 180° para máxima flexibilidad. Su diseño robusto y compacto (45.2 x 31.2 x 5.5 cm, peso 5 kg) es ideal para cualquier espacio. Presentado en caja.
REFRIFGERADORA HISENSE RD267H 205 LT. TOP MOUNT –
REFRIGERADORA INDURAMA RI-289D 177LT DEFROST
REFRIGERADORA INDURAMA RI-359 CROMA 205 LT ILUMINACION LED
REFRIGERADORA INDURAMA RI-379 CROMA 227 LT
REFRIGERADORA INDURAMA RI-389 CROMA 248 LITROS NO FROST ILUMINACION LED
REFRIGERADORA INDURAMA RI-788D SIDE BY SIDE MULTI AIR CROMA 514 LT, DISPENZADOR DE AGUA CONTROL DIGITAL EXTERNO DOBLE CAJON DE ALIMEMTOS
REFRIGERADORA LIBERO LROD-190DFIW INOXIDABLE
- Capacidad: 175 litros.
- Tipo de refrigeración: Auto Frost.
- Material: Acero inoxidable.
- Consumo energético: 0.42 kW/24h.
- Eficiencia energética: A.
- Temperatura: Rango de 0°C a 10°C.
- Refrigerante: R600a.
- Clase climática: ST.
- Voltaje: 220V/60Hz.
- Dimensiones: Alto 125 cm, ancho 49.5 cm, profundidad 49.5 cm.
- Peso: 31 kg.
- Repisas: 3 unidades de vidrio templado con bordes protegidos.
- Puertas: Reversibles para mayor adaptabilidad.
- Extras: Dispensador de agua y separadores internos.
REFRIGERADORA MABE RMA230FVPL1 239 LTS NO FROST
Online Sports Nutrition and Natural Dietetics.
Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required. It's content strategy gone awry right from the start. Forswearing the use of Lorem Ipsum wouldn't have helped, won't help now. It's like saying you're a bad designer, use less bold text, don't use italics in every other paragraph. True enough, but that's not all that it takes to get things back on track.
The villagers are out there with a vengeance to get that Frankenstein
You made all the required mock ups for commissioned layout, got all the approvals, built a tested code base or had them built, you decided on a content management system, got a license for it or adapted:
- The toppings you may chose for that TV dinner pizza slice when you forgot to shop for foods, the paint you may slap on your face to impress the new boss is your business.
- But what about your daily bread? Design comps, layouts, wireframes—will your clients accept that you go about things the facile way?
- Authorities in our business will tell in no uncertain terms that Lorem Ipsum is that huge, huge no no to forswear forever.
- Not so fast, I'd say, there are some redeeming factors in favor of greeking text, as its use is merely the symptom of a worse problem to take into consideration.
- Websites in professional use templating systems.
- Commercial publishing platforms and content management systems ensure that you can show different text, different data using the same template.
- When it's about controlling hundreds of articles, product pages for web shops, or user profiles in social networks, all of them potentially with different sizes, formats, rules for differing elements things can break, designs agreed upon can have unintended consequences and look much different than expected.
This is quite a problem to solve, but just doing without greeking text won't fix it. Using test items of real content and data in designs will help, but there's no guarantee that every oddity will be found and corrected. Do you want to be sure? Then a prototype or beta site with real content published from the real CMS is needed—but you’re not going that far until you go through an initial design cycle.